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Vision
Ian Campbell's Gift
by
Joel D. Amos
San Diego
Opera General Director Ian Campbell is a man whose business, and
his life for that matter, are planned five years in advance. He
and his opera have thrived living ahead of the curve. Almost daily,
Campbell surfs the internet searching for news relevant to his
company. He looks not simply for information surrounding opera,
or even the arts, but reports pertaining to the economy, national
security and even shifting political winds. "All of these facets
affect our business," he admits.
Because of
the fact that he has to book singers three to four years out,
Campbell must attempt to anticipate what that market will look
like. "If there was a tough economy in four years, for example,
I would begin planning for a very standard season," said Campbell.
A season featuring Rigoletto, Carmen, and other well-known operas
would fill the schedule.
It is this
constant planning and keen anticipation that has kept Campbell
at his post for over 20 years, a rare feat in arts circle. An
integral part of that success is the devoted personnel. Department
heads feel confident in Campbell's support and keenly understand
that they are invested in the outcome. His staff intimately knows
the reality of life in an arts organization as they strive for
the success of their opera every day. "It is a very loyal, stable
staff," Campbell admits. "Some have been here 15 or more years.
Lifers they call themselves. Sure they get offers elsewhere, but
they like this environment. They feel connected to the success
they have helped create."
"It isn't
an easy world out there. Our staff knows that we are not owed
a living. We are not in a cocoon. We are impacted by the economy,
terrorist attacks, war in Iraq, and interest rates. They all have
an impact on us," said Campbell. "We are always trying to learn.
I think this entire staff is full of perpetual students. We try
to improve our knowledge base from top to bottom."
His way of
thinking, with both eyes firmly on the future, emerged from an
early experience. Campbell was asked to run an opera company at
the age of 30. The State Opera of South Australia in Adelaide
was on the verge of bankruptcy. "The only way to get out of that
problem was to have a forward plan and a forward view," said Campbell.
Thus began a lifetime of visionary prowess.
Another transformation
in his business that Campbell is sure will affect everyone, is
the tradition of subscriptions. Currently almost seventy-percent
of tickets sold are from a subscription. In ten years Campbell
expects that figure to drop to less than fifty percent. "Our audience
is no longer able to commit a year out," said Campbell. He insists
they will still meet their sales goals, but the buyers will now
be buying their tickets much closer to the event. That ticket
buyer they counted on for decades won't be there in advance anymore.
With this
shift in subscription money, there will be greater need for donors.
Campbell also foresees a huge swing in the possession of wealth.
With current donors' money passing on to their kids, Campbell
notes that this next generation doesn't possess that same tradition
of giving. "This will be a big change in America," Campbell insists.
"Unless these kids recognize that American tradition of giving,
whether to an opera company, zoo, or university, the infrastructure
around them will start to decline."
Ian Campbell
arrived from Australia years ago with the gift of vision. His
ability to foresee future trends, not only in his business, but
also in the greater world around him, should firmly cement the
San Diego Opera's success for several more decades. "Even without
a written plan I always have a mental image of where we need to
go and what infrastructure needs to be in place to get it done,"
said Campbell. "I look to the horizon, not to my feet."
Featured
in South Coast Magazine Festival 2004
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